Graffiti: Art free for all

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I may represent the minority, but I am enthralled by street art and graffiti. I always have been. Wall murals attract my attention, and I secretly believe that the cave drawings and petroglyphs we work so hard to protect were simply the graffiti of past times.

Fanciful expressions of modern culture that grace rail cars, empty warehouses, bridge girders and old water towers, decaying barns and even bus stop benches, and the colorful tags and “signatures” along highways and byways never fail to attract my attention. Portugal was a visual feast!

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In urban settings, I adore oversize murals on random buildings. They add color and design to sometimes bland and boring walls. Occasionally, advertising masquerades as art, and it’s true that graffiti speaks a message all its own. But, more often than not, graffiti is just for fun. And I like it!

When I travel, I typically have a camera in hand; I come home with as many photos of graphic graffiti scenery as of people, historic sites and natural beauty. I snap the shutter from a moving vehicle window, a building’s balcony, or when out for a stroll.

While traveling in Portugal, I was amply rewarded. Graffiti seems almost a national pastime; in my eyes, it’s a national treasure. Nowhere else in my previous experience has the graffiti been so pervasive, nor quite so memorable.

Sometimes obvious “tagging,” Portuguese graffiti is, seemingly, respectful of both private property and public monuments. Although it is clear that graffiti sometimes supports a cause or is otherwise prompted by local issues, we saw little that could be considered outright defacement or the work of vandals. There seems to be no concerted effort to paint over or erase existing graffiti.

Sometimes it is hauntingly beautiful. Occasionally simple and childlike, the work can be stunning in composition and in execution. There are true artists at work along the highways, in small towns and large cities, in farm country and in fishing villages. And, while larger than life murals are not graffiti in the strict sense, they are certainly unexpected; sometimes they are inspiring.

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I know that not all the graffiti is officially sanctioned, but we were told that local and national authorities grant permission in certain areas for graffiti artists to transform crumbling walls and cracked stucco into something more interesting and colorful. Driving along freeways bounded by industrial-grade barriers, the graffiti was welcome, a colorful display of creativity for what would otherwise have been mile upon mile of sameness.

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Portugal has other art as well — serious art — statuary and sculpture in city squares and parks, in front of public buildings and private apartment complexes, in gardens and on the beach, as well as dramatic, oversize centerpiece art in vehicular “roundabouts.”

It’s a phenomenon. There is little need for visitors to pay admission fees to art museums: The best art is free for viewing all around!

If pictures are worth a 1,000 words, this is a “book’s worth” of my favorite images.

I hope you enjoy them as much as I did. In a future post, I’ll share some of the notable public art we encountered throughout this unique country.

Filling up on island time . . .

Note: A previous post, about a stopover in the Azores, was the first in a series of posts that chronicle a recent trip to Portugal, heavy on relaxation and good food, undertaken as a sort of “experiment” by two couples. As cousins, we have more than just family ties in common, but had no previous experience traveling together. It was a unique adventure.

We had embarked on the planning with gusto. We all agreed that daily schedules and strict timetables would not govern our trip. We would take the days as they came, giving in to whims, and choosing to explore both together and sometimes separately. We also agreed that picnics and snacking would be every bit as welcome as “reservations-only dinners,” and that off-the-beaten-path attractions held more appeal than guided tours or noted museums.

I hate to admit that our appetites guided our island activities, but that’s pretty much the truth of it. We heartily endorsed seaglass expeditions100_2530 on lonely beaches, long lunches with accompanying local beer or wine, and lazy afternoons with our books, sometimes interspersed with naps. Even though early dawn light was beautiful, we felt no compunction to be overly active early each morning.

We overindulged in fresh fish and seafood prepared in traditional ways, and we sampled sardines, octopus, local mussels, sheep’s cheese, and plenty of olives. We did, unfortunately, miss the experience of eating cozido, a meat or chicken dish slow-cooked underground in the hot volcanic soil. And we did not venture a soak in the mineral-laden volcanic pools, although they are a highlight of the visit for many tourists to Sao Miguel Island.

The marina drew us . . .

After spending a morning exploring the town, we were drawn by the water, and the prospect of having a view to accompany a light lunch. We were walking along the rocky shore in what will someday be a revamped marina district of Vila Franca do Campo. Deadlines seem both non-existent and unimportant on this island, so there are no signs proclaiming a targeted completion date. 100_2211

With a couple of eateries to choose from, we picked the one closer to the water, Atlantico Restaurante & Grill, and were ushered upstairs to a pleasant dining room with a stunning view. It was late by island standards, apparently; other diners were close to finishing their meals, but we were welcomed nonetheless by a server who smilingly said we had plenty of time. The kitchen would not close until 3 p.m.

And so our first encounter with Portuguese dining began:

First the obligatory sampling of bread, olives, cheese, and this time, paper-thin sliced ham and a tasty sweet jam. Our orders came and were consumed, along with a bottle of chilled white wine, and the minutes ticked by.

 

It was well after 3 p.m. when we finished, and we bade goodbye to Michael, our waiter, who had spent time in Chicago, as we recall, and spoke perfectly idiomatic English. He seemed not to mind being kept after “quitting time,” and actually invited us back for dinner, but then told us the restaurant would be closed for the next couple of days due to an annual — and, apparently, quite raucous — fisherman’s celebration. Indeed, while we ate, workers continued to decorate the street outside; we suspect it was quite a party!

Another day, we visited Mariserra, once again for a late lunch, in Sao Roque, nearer the large city of Ponta Delgada. We had yet another delicious taste of island life, this time highlighted by a shareable fish stew, served with pasta in a tomatoey sauce, as well as perfectly-prepared garlic shrimp (two orders) and flavorful mussels.

 

Crafting a memorable visit . . .

We kept busy, but we relaxed completely, interspersing long beach strolls and walks along cobblestone streets with short excursions to the market and a day trip to Sete Cidades at the far end of Sao Miquel Island. We drove winding switchbacks to the rim of the now quiet volcano, and marveled at the sight of twin pristine lakes, one blue, one green, that fill the caldera. There are numerous hiking trails, with plenty of scenic overlooks for photo ops. 100_2257

We acted as “traffic cops” when a mama duck and her brood strolled through a lakeside parking lot, and we stopped to gaze in awe at an abandoned structure. Now covered in graffiti and spreading greenery, it must have once been an architectural gem. We never learned its history.

 

Another day we visited another shore, thoroughly enjoying a leisurely excursion to Cha Gorreana in Ribeira Grande. Family-owned and operated since 1883, the only surviving tea plantation in all of Europe is still farmed and harvested by time-honored methods, completely organic and pesticide-free. The tour and tea samples were free of charge, and we lingered at the site.

 

The story of how tea farming came to the Azores is fascinating, affirming that a volcanic island in the North Atlantic was a well-known destination to voyagers from the Orient and India, and by dealers in exotic spices and fruit, long before any of us might have guessed. Tea plantations arrived later, however. The tea harvest and processing is still done by hand, labor-intensive and a labor of love, as well as a booming business. Both black and green teas are wonderful.

A simple question . . .

“Meat or fish?” the proprietor asked, after he had brought our wine to a table perfectly situated near balcony windows, open just enough to let a light breeze waft through. 100_2440

We chose fish, but the meat platter served to nearby diners looked equally tempting.

We had stumbled, quite by accident, upon Fim de Seculo Restaurante in the heart of Maia, a coastal village not far from the tea plantation. We had hoped for a quiet late lunch in a cafe along the shore, but instead we found this charming upstairs dining room, accessed via the outdoor patio and ground floor bar, complete with blue and white tile murals, white linen tablecloths and a dark wooden staircase that has borne its share of footsteps over the years.

 

This was to be a leisurely lunch, punctuated with laughter, good wine and interesting conversation with the proprietor and his daughter, who, we learned, had just graduated with a degree in hospitality management. It ended on a sweet note: a platter of freshly-sliced Azorean pineapple, perfect in its simplicity.

We will not soon forget the experience, and we did not eat again that day!

Three days on this island only whetted our appetite. A twist of scheduling became a highlight of our trip. We boarded our flight to Lisbon with a twinge of regret, at the same time looking forward to a planned cork forest tour and some highly-anticipated beach time on the mainland, in addition to more good food in faraway places.